Preface
He didn’t invent it, but he owns it: the Proust Questionnaire. A questionnaire devised by Antoinette Faure, the daughter of the 19th century French president, was taken by Marcel Proust at the ages of 14 and 20. Although he completed it only twice, his name has since become associated with this set of 23 questions that was once the bourgeoisie parlor game of Paris.
At social gatherings in the late 1800s, the social and literary elite would answer this set of questions and share their responses in a game-like fashion. In an 1892 article, Proust published his answers as “Salon Confidences Written by Marcel,” in La Revue Illustrée XV and this Parisian parlor game later became famously associated with his name after his death in 1922.
Now, in the 21st century, versions of the Proust Questionnaire have shown up in a wide array of magazines, newspapers, blogs, and even on talk shows. This post-modern resurgence of related questionnaires has illustrated the desire of readers and writers alike to stop and take a quick look at who they are and form answers based on a set of specified questions.
Well over a century later, and long after the questionnaire became vogue, a host of such quizzes have crept onto our computer screens by way of myriad web sites, social networking sites, and scores of emails; which, at best, only offer small morsels of insight into the psyche and soul of the queried; and at worst, provide an assortment of collected trivia.
Resurrecting Proust encourages much more than trivia in this next level of querying and contemplation. By providing a set of creative journaling techniques, along with stimulating prompts, this book requires those engaged in it not only to search for answers, but to go further and consider the why, who, where, when, and most importantly, the what associated with our thoughts and experiences.
Marcel Proust has long been revered for his languid passages that evoke a connection between the act of reflection and the ability to probe and understand aspects of the self. Proust’s fiction and nonfiction writings are replete with contemplative introspections carrying the readers along emotional threads weaving a thick tapestry of interiority. His characteristic introspection embodies the type of writing that Resurrecting Proust is aiming to evoke.
We are now more aware of how important it is that we uncover the emotional tone of our memories, both consciously and unconsciously. Our memories create our stories, which are the inner narratives that we tell ourselves over and over again, revising all along. Our stories are central to who we are, or who we think we are. Key to identity is the act of reflection.
Today, we are continuing to evolve even further into the process of examining our psyches, attempting to understand who we are, and in this case, telling our stories. More than ever, we are reading, writing, and sharing our stories in various forms of memoir and literary biography. Resurrecting Proust allows us to push the boundaries of structure in our personal narratives. We are afforded an opportunity to take ourselves at face value without judgment and unearth our stories by way of the informal guise of journaling to produce memoir as art.
Furthermore, as we move forward with the old and new ways of creating narratives, a guiding template such as Resurrecting Proust allows us to move toward more robust and dynamic storytelling, while maintaining interior forms of expression. With the creative journal writing techniques described herein, we are writing letters (sent and unsent), sculpting poems, forming lists, constructing dialogues, traveling on written journeys, devising portraits (of self and others), creating artistic entries, taking on altered viewpoints, and mining our streams of consciousness by freeversing.
Resurrecting Proust employs post-modern storytelling methods that push us even further into examining ourselves and shaping our stories. There are prompts within this text such as Living in You-topia; Words that Stick; Stupidity; On Death and Dying; Never!; The Name Game; Ego vs. Superego; It Was the Best of Times; and Time Capsule just to name a few, all of which foster meaningful memory mining, not unlike the famed questionnaire. However, these techniques, in conjunction with the array of prompts, attempt to influence sustainable story. Some examples of these stories are presented in the brief anthology of Part IV, The Techniques in Action.
Sure, we can continue to produce parlor trivia that can be palpated in a game-like fashion, but Resurrecting Proust draws us into more serious soul-searching and storytelling: this book requires us to think, describe, relate, invent and examine who we are and to craft our personal narratives along the way. We are moved to go beyond the responses of trivia and actually create memoir-art.
So let us unearth our stories . . .
Let us create memoir with creative flair . . .
Let us form unique narrative art . . .
Let us engage in curative self-discovery . . .
Let us tap into reflection, introspection and self-analysis . . .
Let us Resurrect Proust!
At social gatherings in the late 1800s, the social and literary elite would answer this set of questions and share their responses in a game-like fashion. In an 1892 article, Proust published his answers as “Salon Confidences Written by Marcel,” in La Revue Illustrée XV and this Parisian parlor game later became famously associated with his name after his death in 1922.
Now, in the 21st century, versions of the Proust Questionnaire have shown up in a wide array of magazines, newspapers, blogs, and even on talk shows. This post-modern resurgence of related questionnaires has illustrated the desire of readers and writers alike to stop and take a quick look at who they are and form answers based on a set of specified questions.
Well over a century later, and long after the questionnaire became vogue, a host of such quizzes have crept onto our computer screens by way of myriad web sites, social networking sites, and scores of emails; which, at best, only offer small morsels of insight into the psyche and soul of the queried; and at worst, provide an assortment of collected trivia.
Resurrecting Proust encourages much more than trivia in this next level of querying and contemplation. By providing a set of creative journaling techniques, along with stimulating prompts, this book requires those engaged in it not only to search for answers, but to go further and consider the why, who, where, when, and most importantly, the what associated with our thoughts and experiences.
Marcel Proust has long been revered for his languid passages that evoke a connection between the act of reflection and the ability to probe and understand aspects of the self. Proust’s fiction and nonfiction writings are replete with contemplative introspections carrying the readers along emotional threads weaving a thick tapestry of interiority. His characteristic introspection embodies the type of writing that Resurrecting Proust is aiming to evoke.
We are now more aware of how important it is that we uncover the emotional tone of our memories, both consciously and unconsciously. Our memories create our stories, which are the inner narratives that we tell ourselves over and over again, revising all along. Our stories are central to who we are, or who we think we are. Key to identity is the act of reflection.
Today, we are continuing to evolve even further into the process of examining our psyches, attempting to understand who we are, and in this case, telling our stories. More than ever, we are reading, writing, and sharing our stories in various forms of memoir and literary biography. Resurrecting Proust allows us to push the boundaries of structure in our personal narratives. We are afforded an opportunity to take ourselves at face value without judgment and unearth our stories by way of the informal guise of journaling to produce memoir as art.
Furthermore, as we move forward with the old and new ways of creating narratives, a guiding template such as Resurrecting Proust allows us to move toward more robust and dynamic storytelling, while maintaining interior forms of expression. With the creative journal writing techniques described herein, we are writing letters (sent and unsent), sculpting poems, forming lists, constructing dialogues, traveling on written journeys, devising portraits (of self and others), creating artistic entries, taking on altered viewpoints, and mining our streams of consciousness by freeversing.
Resurrecting Proust employs post-modern storytelling methods that push us even further into examining ourselves and shaping our stories. There are prompts within this text such as Living in You-topia; Words that Stick; Stupidity; On Death and Dying; Never!; The Name Game; Ego vs. Superego; It Was the Best of Times; and Time Capsule just to name a few, all of which foster meaningful memory mining, not unlike the famed questionnaire. However, these techniques, in conjunction with the array of prompts, attempt to influence sustainable story. Some examples of these stories are presented in the brief anthology of Part IV, The Techniques in Action.
Sure, we can continue to produce parlor trivia that can be palpated in a game-like fashion, but Resurrecting Proust draws us into more serious soul-searching and storytelling: this book requires us to think, describe, relate, invent and examine who we are and to craft our personal narratives along the way. We are moved to go beyond the responses of trivia and actually create memoir-art.
So let us unearth our stories . . .
Let us create memoir with creative flair . . .
Let us form unique narrative art . . .
Let us engage in curative self-discovery . . .
Let us tap into reflection, introspection and self-analysis . . .
Let us Resurrect Proust!